Hit Me Baby One More Time

Everything about this mission screams horrible and creepy, but you need answers, and soon.

Scenes

Scene summaries may contain spoilers
1
Time to get back on track finding a cure for the zombie plague. Janine's interrogation of her brother isn't going so well, so you're on a secret 'Starlight Protocol' mission to find something that may help.
2
You'll need something stronger than the usual drugs to break Tom's military training, and Nadia's found clues to just the thing from Moonchild's facility. Sam's not happy about this.
3
Sam's found some maps to the testing facility - except it's labelled as a 'creche'. You're spotted by a pack of uniformed zombie nannines, and make a quick escape.
4
The backdoor to the creche leads to an observation room. Seems the 'subjects' from Moonchild's files were actually children. The Nannies have found you, and Janine smashes the two-way mirror to get out.
5
Comansys definitely tested their drug on children, and it works. On the plus side the now-zombified nannies rescued all the kids before turning. Unfortunately the drugs were also removed, to somewhere called 'H Vault'.
6
You're running away from the zombie nannies again when suddenly they explode, courtesy of The Builder. There's no time to catch up though - The Builder knows where the drugs are.
7
Vault H was where Comansys saved important research, meaning it's locked up tight. The Builder employs his usual solution to inaccessible places; explosions. He offers some of his other skills to help with Tom, but Janine's not interested.
8
Sam and Nadia try to persuade Janine not to deal with Tom alone, but she threatens them with court-martial if they break Starlight Protocol. She will be doing this her way.

Credits

Cast listings may contain spoilers
Cast
Janine de Luca
Eleanor Rushton
Nadia al Hannaki
Jennifer Tan
Sam Yao
Philip Nightingale
Steve "The Builder" Sissay
Adam Lannon
Veronica McShell
Aislynn De'Ath
Crew
Writer
Naomi Alderman
Director
Matt Wieteska
Sound Designer
Mark Pittam
Series Created By
Naomi Alderman